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Re: Chroma Key and Glamour
Old 10-24-2006, 06:49 PM   #11 (permalink)
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I love it all! RDS, I notice that you don't backlight either. Great work!

I fogot part of DP Ellis's question, spill does happen in about 20% of my photos. Mostly where the skin contacts the matte. Until I work that bug out I've been painting these edges with a fully feathered brush at 50% opl and flow on a layer and tweeking the layer opl. Just takes a few minutes but I'd rather not have to do this.

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Last edited by artbyort; 10-24-2006 at 07:08 PM..
 
Re: Chroma Key and Glamour
Old 10-25-2006, 02:27 PM   #12 (permalink)
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This shot was done this way. The key to a good, er, key is to first evenly light the screen separately from the talent. Then position the talent far enough in front that you can light them separately while avoiding as much spill as possible onto the chroma background.

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Re: Chroma Key and Glamour
Old 10-25-2006, 03:21 PM   #13 (permalink)
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as the digital revolution moves forward, someday they'll be writing about "back in the day" when they actually used living, breathing models shot at real locations.

CYPHER
I know this steak doesn't exist. I know that when I put it in my mouth, the Matrix is telling my brain that it is juicy and delicious. After nine years, you know what I realize? Ignorance is bliss.
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Re: Chroma Key and Glamour
Old 10-25-2006, 07:15 PM   #14 (permalink)
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Since were talking about replacing backgrounds, I had a little fun with my new favorite model. The original image was shot against red seemless, eye makeup, hair streaks and lens flairs were added in Photoshop.

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